About the Artist
Cut-off from the mainstream of the British Batik world, which was still based in London, she developed her own individual style, constantly trying out innovative techniques with dyes and lighting to achieve subtle effects, and adapting them to create that instantly recognisable Buffy Robinson ‘look’.
In 1981, by then an established Batik artist, and encouraged by the growing demand for her work, Buffy designed a new and innovative range of products for the giftware market using photographic reproductions of her Batik paintings. Paperweights and greetings cards were later followed by prints, bookmarks, gift tags and gift boxes.
Throughout the eighties and early nineties, the company was a regular exhibitor at trade shows, including the NEC International Spring Fair, Top Drawer and the Harrogate Craft Fair, where in 1989 Buffy’s products, display and sales literature surpassed 900 other exibitors to win the Ted Mahoney Award for Excellence, going on to win it for an unpresidented second time in 1994.
In 1988 she was commissioned by the Department of the Environment to produce Batik paintings of the Royal Palaces of London. These included the Tower of London, Hampton Court, Kensington Palace and the Banqueting House.
Early in 2000, Buffy was approached by the chairman of the Inland Revenue to produce a Batik painting of Somerset House, the Inland Revenue headquarters. From this original, which now hangs in the Chairman’s office, she made paperweights for them to give as gifts to visiting dignitaries. This led to commissions for a series of major architectural works depicting many of Britain’s finest cathedrals, castles and stately homes.
Buffy was commissioned to produce Batik paintings of a number of great English Cathedrals, including those at Canterbury, York, Durham, Worcester and Chester. Cards, prints and bookmarks bearing these images were sold to visitors at all these historic sites. She developed a technique to portray the gothic stonework and detail of these buildings with great sensitivity and accuracy, whilst capturing the atmosphere and grandeur in settings of dramatic skies and textured trees.
After a visit in the early 1990s, her great love affair with Venice began and her creative work blossomed and developed. In many delightful Venice studies from this time, you can see her use of the Batik medium at its best to show the cracked and crumbling plaster and stonework. Her fine colour sense was inspired on the classic Venetian ochres and terracottas and so also began her endless fascination with reflections.
In 1994 she moved her studio to a seventeenth century barn on the banks of the Llangollen Canal in beautiful rural Shropshire. Her interest in canals is evident in her work and here she has a beautiful private canal-side Gallery displaying her work, framed back-lit original Batik paintings, as well as her hand made Batik lampshades, work spanning over fifty years.
These days, Buffy works mostly to commission, often inspired to explore new avenues in what she is asked to create. She opens her ‘hidden gem’ of a Gallery, as she says, ‘only on sunny days when the mood takes me’, so if you wish to visit, let Buffy know and you can arrange a time when she will be happy to show you around.
Buffy Robinson is a member of the Batik Guild.
Buffy at work in her studio